Dinosaur’s second album is as electrifyingly different as anyone who knows Laura Jurd’s track record would expect. Never one to be labeled, the fearsomely talented and multiple award-winning Jurd has a Miles-like way of taking her work and tuning it to illuminate a vast array of musical worlds. She’s done orchestrated and meticulously composed; jazz rock grooves; electronic minimalism; mainstream jazz and now, with her new album, Wonder Trail, and band Dinosaur, keyboard maestro Elliot Galvin to the fore, she’s plundered the synth-pop of the 1980s for a new sound. But this is not gratuitous borrowing, or any kind of hipsterish, retro post-modernism. For one, these are very current sounds (Broen’s an indie band with similar reference points that comes up in conversation). And for two, Jurd and Galvin use the poptastic-ness of the keyboard sound as a sort of tin opener to get into all kinds of serious musical areas - improvisation, vocodered strangeness, strutting rockishness, bucolic folkiness. But, as with any proper stylistic amalgam, the whole is greater than the sum of the parts.
Wonder Trail, whilst being a stations of the cross tour through an array of musical influences/interests, synthesises the experience (in more ways than one). It’s the use of the synth as the core sound that brings it all together, the other instruments queued in by its stabs and swirls, energised and contextualised. Within, around and over this hovers Jurd’s clear-toned trumpet sound which manages to be hot and cool without any apparent expenditure of energy - poised is the word I suppose, but that belies the power and incisiveness of her improvising and technique.
Laura is keen to join the tricky task of placing the music on some kind of stylistic map. “There’s two vocals on the album. Plus one track with a scattering of vocals... something to bear in mind. The pop / folk influence is definitely there. There's certainly more of that in there than the second Viennese school! Perhaps it could be described simply as 'synth-pop meets jazz band'. I quite like the clarity of that. Personally I'd love to filter that down further and say - 'Dinosaur is a trumpet-led, instrumental band'. That way it's left to the music to explain the rest - which is something unique and personal for every listener.”
released May 4, 2018
All music by Laura Jurd
Recorded at Giant Wafer Studios, Wales on 27th - 31st October 2017
Recorded and Mixed by Sonny Johns
Mastered by Tom Leader
I am the Spring. You are the Earth. This is the reason I bought the album. I can't say it's an original concept or anything but there's a huge joy in the sonority of the different instruments deployed. It's immersive, big, harmonic. martin corey
September 2018. It's July 2020 now. I'm feeling that's too long, y'know..?
This stuff's addictive. You just have to get more of it.
The composition and performance on show are in a class of their own. But I say that every time.
This is jazz like nothing else. Peter Jones
The entire group's groove dynamic is so fucking amazing. Shout out to Nubya Garcia, Joe Armon Jones, Daniel Casimir and that drummer Femi Koloeso. Keep making good music!!!
btw the tuba's solo was above and beyond my imagination Raven Branwen
Inhale, and prepare for a forward thinking, visceral album. This concept is constantly searching and each individual musician, along with the virtuoso playing of Yazz express their own individual feelings that reflect their own lives in our world today. The production is superb, and that wonderful artwork on the album cover seals in this mind blowing album. For the forward thinking Jazz head, this is one to spend time with. I believe Dizzy Gillespie would have seriously appreciated. George Prince.